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Angie is tied to her father and two brothers as a sort of domestic slave. Not only does she have to work hard in a distant part of town all day, but she also has to return home to cook for and clean up after her three male family members.
She seems to receive no financial or emotional support for her efforts either. This becomes very clear when her father beats her up after learning of her relationship with Flipper.
We see a similar relationship develop with Paulie and his father. His father's constant nagging about the number of each of the periodicals that he orders on a daily basis coupled with his lack of gratefulness for the meals that he cooks for him each day drive Paulie mad.
Though Paulie's father isn't as physically abusive as Angela's father is, we see his proclivity toward violence we he forces his way into the bathroom and whaps a teary-eyed Paulie on the head with a magazine.
Lee's choice to introduce the reverend doctor and his wife as parents of Gator first necessarily colors our impression of them as good parents.
What type of parents produce a crackhead? Certainly not the same type of parents that produce an upstanding architect, but maybe the type of parents who would rear an interracial adulterer.
Other than Drew, who we really never see interact with her child, Gator's mother is the only mother to which we're physically exposed in the text.
She loves both of her children and would rather not talk about the problems that exist in their relationships. Instead, she closes her eyes to the truth of Gator's drug habit and hands him money while he does the dances that she likes, and she would rather change the subject at the dinner table than broach the topic of adultery.
This approach to parenting doesn't work any better than that of her counterpart. The reverend doctor doesn't ever want to really talk to his kids about their problems without using biblical metaphors.
These one-sided diatribes seem to drown out any potential discussions just as much as the wailing of his favorite Mahalia Jackson records.
In the end, he must kill his neglected son because he has deteriorated so extensively from crack use.
The film's concluding sequence has brought us full circle. The framing of the newspaper landing on Flipper's stoop initially suggests that everything has returned to normal - that Drew has accepted her husband back into her life.
Their daughter's smiles and giggles also point to the same conclusion. But we find, as Drew rolls over in bed and tells Flipper he better leave, that the sex is only a temporary fix for a desire for pleasure.
The sex will not solve the problems that it has created. It both mirrors in video and echoes in audio an almost identical part from earlier in the film.
Sex, a supposedly physical manifestation of love, often results in a product - a child. This child will then live in a society where sex and love is misguided or undirected altogether.
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That is, they're consumed by the mythology behind a person's race ie virility of Black men, the Black penis, Blacks as more primitive and closer to the mythical Jungle, etc.
Many are attracted to such relationships because they perceive them as transgressive and are turned on by that.
Not all Black-White relationships are based on Jungle Fever. However, one may be able to identify relationships that are based on Jungle Fever by analyzing the couple's dating history.
For instance, if a White person who lives in an area with few Blacks has only dated Blacks, then it's likely that that person has Jungle Fever.
Generally considered a derogatory term that hints at past colonial relationships between Blacks and Whites, where White colonizers enter, with fascination, the African Jungle in order to learn from and conquer it.
Watch out for that White girl Angela cause she has major jungle fever. She can't keep her eyes off tha brothers, probably because her daddy won't let her date a brother.
The film's soundtrack was by Stevie Wonder and was released by Motown Records. Although the album was created for the movie, it was released before the movie's premiere in May It has 11 tracks, all of which are written by Stevie Wonder, except for one.
Though some believe that Wonder's album was unappealing, others believed that it was his best work in years. The film garnered mostly positive reviews from critics, with particular praise for Samuel L.
Jackson's performance as crack addict Gator, which is often considered to be his breakout role. The site's consensus states: "Jungle Fever finds Spike Lee tackling timely sociopolitical themes in typically provocative style, even if the result is sometimes ambitious to a fault.
Roger Ebert of the Chicago Sun-Times gave it 3. It contains humor and insight and canny psychology, strong performances, and the fearless discussion of things both races would rather not face.
The film is recognized by American Film Institute in these lists:. From Wikipedia, the free encyclopedia.
This article is about the film. For other uses, see Jungle Fever disambiguation. Theatrical release poster.
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